Side
Streets
by
Kimra Traynor Herb


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Hide the Bad Pictures

My Aunt Glenda has this crazy deal where she doesn't like to have her picture made. She is pretty sly and crafty, because what she has figured out is that if she is always walking around WITH a camera in her hand, she won't be the subject of the photos. If we ever do catch her in front of the lens, she will whip off her glasses with such lightening force that the wind from the movement ruffles all of our hair. Inevitably, she won't be pleased with the result.

"Is that what I look like?" She'll comment, upon viewing the final result. "That's AWFUL!" Bear in mind that my aunt is not a hideous beast of a woman. She is a slender, red-headed woman who, it's true, can take the occasional bad photo, but no worse, certainly than the rest of us.

"Remember that time," I said to her, when she was fussing about how bad a picture looked. "When I was in sixth grade and I accidentally plucked all my eyebrows out?" (Okay. So it wasn't an "accident"- I was experimenting with tweezers and a more groomed look than my sixth grade woolly mammoth eyebrows and got carried away to the point of no return.) "Or how about," I continued, "All the FAT pictures of me?" For the first, oh, five or so years after giving birth to any one of my sons, I would carry the bulk of the weight around with me as an unwelcome souvenir of gaining way past the recommended weight during my pregnancies. The "fat" photos are a solid testimony to the dangers of the Ho-Ho and Dr. Pepper pregnancy.

She doesn't see it. She thinks our "bad" pictures are nothing in the big scheme of things- nothing compared to her bad photos.

So let me just state right here that I have never been one to run from the camera. Not even when forty or so more pounds of me was spilling out of my size fourteen jeans- what can I say; I am a ham. An oldest child, I was photographed, A LOT, as a child and I guess I grew to like it. But I do, however, despise, that newfangled contraption, the dreaded, the dratted, VIDEO CAMERA. We have tons of videos of our three boys; taken at various stages of their lives. Like my aunt, I have learned that if I am behind the camera, then I am not in FRONT of it, and that suits me just fine. Because even listening to my voice, laughing and commenting on the tape, sets my nerves on fire.

My oldest son has decided that on our upcoming trip to the Grand Canyon, he is going to make a video-topography. Or something like that. In essence, he is going to document every aspect of our trip, from the preparations to the flight, to the intimate moments at the hotel on video.

"No film of me in my hair curlers." I warned him. I had visions of this thing turning into an Osborne-esque affair, and I was not happy about it.

"Good idea!" He laughed. "Mom in the curlers! I can't wait to get THAT on film."

My Aunt Glenda never had it so bad. At least in her photos, she was fully dressed, hair combed and presentable. My son had gleeful plans to capture me and the rest of the family at our horrible, early morning worst and then to showcase the film to his friends.

"I am warning you!" I shouted, sounding suspiciously like my aunt. "You cannot take footage of me unless I am ready." And then, mumbling under my breath, "Which I will never be."

"MOM!" He replied, exasperated, "It is a documentary of our trip. It has to have ALL the moments; the good and beautiful ones along with the horrible reality of you in your curlers."

Lovely. I knew that when I first saw that boy creeping around the corner in the hotel room with his camcorder; myself with a full head of curlers, that I'd start whipping those suckers out so fast that my family would think they had landed in the middle of a war zone- the curlers shooting out like bullets from my head.

Maybe the deal with my aunt is not so crazy after all. Maybe some things, like glasses wearing and a big fat head full of electric hotrollers, are sacred and never meant to be captured on film.